Wednesday, October 31, 2012

THE GODFATHER: PART II (1974) – Award Winning Sequel

The movie The Godfather, Part II is my opinion not as good as the original.  It was wishing for too much to hope that the sequel would ever be as good, and we miss the presence of Marlon Brando playing the character of Vito Corleone.  Also, juxtaposing the two stories of father and son side-by-side in the sequel may seem fashionable, but it wasn’t as successful as director Francis Ford Coppola may have hoped.
I’ve never been satisfied with the flashback scenes in this movie, despite an Academy Award going to Robert De Niro as a young Vito Corleone.  These scenes are well choreographed and well acted.  Still, the young Corleone played by De Niro is not the same entity as the older Corleone played by Brando.  The young Vito in Part II joins the underworld only for magnanimous reasons and - despite the carrying off a pair of revenge killings - we never see the sinister side to the young Vito that comes out so starkly every time Brando came on the scene during the original Godfather.
Nevertheless, Al Pacino as Michael Corleone plays his part consistently powerful in both of the first two films, and his counterpart, Lee Strasberg as Hyman Roth adds a dimension that was missing in the first film by providing Michael with a worthy adversary that we get to know in depth.
The film is 200 minutes long.  It features the cat-and-mouse game that Michael and Roth play in trying to best each other.  There are also the great side plots concerning betrayal by Michael’s one remaining brother, Fredo (John Cazale) and a betrayal by an old friend of the family, Frank Pentangeli (Michael V. Gazzo).  Both feel left out of the family business and, disastrously, attempt to sidestep Michael’s authority. 
The major women in the film play far smaller parts.  Connie Corleone (Talia Shire), Michael’s only sister, tries to hurt Michael by letting her life go into disarray.  In the end she rejoins Michael.  Kay (Diane Keaton), Michael’s wife, on the other hand hurts Michael almost as much as any character shown in either the original or the sequel by aborting Michael’s baby.  (Only in the poorly made Godfather, Part III would Michael have ever dreamed of forgiving her.)
Like the original, The Godfather, Part II is a glossy and violent soap opera.  Michael is so believably corrupted by the end of the film that he begins assassinating old enemies, old friends and even a brother – none of which any longer serve as a threat to him.  Michael keeps around a corrupt Senator (G.D. Spradlin) only because the Senator still proves to be useful for him.  Even his most loyal follower, Tom Hagen (Robert Duvall), a stepbrother to Michael, is no longer completely trusted.
In the end, Michael outsmarts everyone but himself.  Whatever victories he achieves as the undisputed head of the Mafia, Michael achieves no satisfaction.  He has made good on the promise that he made to his father in the original Godfather to be with him always, and it has rotted away his conscience.  There is nothing left of the young and sensitive man that volunteered to fight when America went to war in Germany and Japan.  Only the brain is still functioning.  The rest of Michael becomes a cipher.
Coppola may be one of the best storytellers in film since movies began.  In his major early efforts (The Godfather, The Godfather, Part II, Apocalypse Now), Coppola had the skills to hold a loose story together.  He has not been successful at doing that since that time. 
In any case, Coppola directed three of the more powerful movies from the 1970s – the kinds of which we have never seen remade by anyone.  Coppola did it by taking chances.
October 31, 2012
© Robert S. Miller 2012

Sunday, September 30, 2012

A BRONX TALE (1993): Modest and Decent Gangster Film

Since I’ve so far refused to subscribe to cable or satellite television, I often end up watching movies that best fit onto a 17 inch screen television.  The best of such films are usually shown around two o’clock in the morning for individuals working odd shifts or that cannot sleep at night.  One such film is A Bronx Tale that was directed and starred Robert De Niro.  Strangely, it co-stars Chazz Palminteri who also wrote the play and screenplay for which the film was adapted.
Especially for a film that is about gangsters, A Bronx Tale is unusual in that it’s so devoid of cynicism  – a trait that have practically destroyed a large percentage of Hollywood movies.  It’s sometimes a bit too cloying, and the chief gangster, Sonny LoSpecchio (Palminteri) can be unbelievably benevolent and gentle when he’s not out to eliminate his perceived enemies.  Still, we care for the major characters because the emotion projected by such characters is honest.
The story takes place somewhere between the Bronx and Brooklyn during the 1960s.  Calogero (Francis Capra playing the young boy, and Lillo Brancato as a teenager) very early in his life witnesses Sonny commit a murder over a minor traffic accident.  Calogero never turns Sonny in, and Sonny tries to show gratitude by offering Calogero’s father, Lorenzo (De Niro), a good paying job.  Lorenzo refuses the offer and, in fact, discourages Calogero from ever seeing Sonny.  Nevertheless, Calogero continues seeing Sonny and even does what he can to help him out.
Lorenzo and Sonny living completely different lives often share similar world views.  Though Lorenzo is strictly hard working and blue collar, he can never convince Calogero to stay away from the easy money presented by association with Sonny.  But though this typically would be a disastrous choice, Sonny provides sage advice about romance, growing up and racial tensions in the Bronx, and he dissuades Calogero from ever pursuing a career in the mob.  In the end, Sonny makes his point when he (Sonny) is gunned down by a rival mobster seeking revenge.
Both Lorenzo and Sonny are remarkably open minded about Calogero’s pursuance of romance with a beautiful black high school student named Jane (Taral Hicks), and though the relationship never goes beyond that of a teenage romance, Calogero’s feelings for Jane allow him to see the difference between a decent world and the narrow world inhabited by many of his bigoted friends.  The problem with both the romance and the racial overtones is that it’s forced.  When it comes to racial dealings, it’s perhaps the only portion of the movie that is preachy.  This film was meant to be about two father figures, and the female presence in this film becomes a distraction.
A Bronx Tale, a 122 minute film, is remarkably much like the movie Hud, though the Bronx is very long way away from Texas.  One film takes place in the inner city, and the other takes place in wide open land.  Yet torn loyalty on the part of a 17-year old boy is the chief theme in both films.  In A Bronx Tale, the wiser of the two father figures wins out.  In Hud, no one wins – though the unscrupulous Hud does outlive his own father.
The decade of the 1990s was made up of a number of crass films, but at least here we had a movie that tried to give a positive message.  And when De Niro and Palminteri are on the screen, the movie’s sentimentality is manageable.

September 30, 2012

© Robert S. Miller 2012

Thursday, August 30, 2012

LAWRENCE OF ARABIA (1962): “Revolt in the Desert”

Many years ago I read Seven Pillars of Wisdom, the book on which the film Lawrence of Arabia is based.  The book is phenomenal, and the movie in many respects lives up to the book.
The film can be a bit showy at times.  Though Director David Lean for the most part cast established names in the major roles, the most interesting exception was the casting of Peter O’Toole to play the part of T.E. Lawrence.  It was the role that would make O’Toole famous.  Yet I’m guessing that the late Colonel Lawrence would have been disconcerted by the way that he was portrayed in the movie.  No doubt, Lawrence comes across as a brilliant military figure in the film, but he often comes off as a bit of a fruitcake as well.
Individuals under great stress often do remarkable things, but its particularly remarkable that Lawrence could have so ably negotiated with the Arabs to fight together against the Turks while at the same time keep the Arab leadership and English and American military leaders happy at the same time.  One can tell by reading his works that Lawrence was an eccentric individual, but the film portrays him as being extremely unstable as well.
I suppose it’s inevitable that moviemakers feel the need to dramatize to make the story more compelling.  To the credit of such individuals with regards to Lawrence of Arabia, we never lose interest in the character on the screen – and it is extremely rare in this film that O’Toole is not shown playing his part.  It is the first modern film biography, and virtually no biography since has lived up to this film’s standards.
I earlier mentioned the casting.  We have Alec Guinness playing the wise and understanding Prince (and later King) Feisal.  Guinness actually looks the part of Feisal, but at times he seems so otherworldly that we almost forget that he’s a human being.  Omar Sharif plays Sherif Ali, a leader of an Arab faction that has been for centuries warring with another faction.  Is he believable in the role?  To some degree he is.  He grows through the film to a semi-barbarian to one that seeks political answers and weeps over the troubles of his off and on friend, Lawrence.  Anthony Quinn as Auda Abu Tayi may be the most stereotypical (at least by Hollywood standards) of any major character in the film playing the part of an Arab, but in many ways he comes across as the most human as well.
Of the other roles, Jack Hawkins as the manipulative General Allenby comes across as the most convincing.  Many other characters, including Claude Raines as Dryden, are stereotypical Englishmen set out to conquer the world.
What make this film so unique are the chances that it takes in storytelling.  At 216 minutes of filming portraying various settings all over the Middle East, the film obviously was intended as an epic.  Yet this was an epic like none other shown before in the extreme complexity of the hero of the film.  Lawrence is portrayed as a visionary, intellectual, eccentric, a sadist who at times was repelled by bloodshed, a masochist, possibly a homosexual, and one that had a love/hate relationship with the Arab people.  Lawrence was attracted and repelled by Bedouin morality which at times he considered clean and other times pushing the limits blood thirstiness.
The film can at times be as ambiguous as the main character.  The Arabs are treated reverentially at some moments, and treated with disdain at others.  Some characters like Sherif Ali are allowed to grow, and others never change or outgrow their resentments that seem to have no beginning or end.  Yet what we see filmed in Damascus where petty rivalries once again take hold after the Turks have been repelled still seems mild to what we are seeing in Damascus today.
Lawrence of Arabia is a great film because of the lead actor, because of the direction, because it takes risks, and because it does not insult one’s intelligence.  Seven Pillars of Wisdom is an extremely complex book that leaves one baffled about its author.  T.E. Lawrence admits in the book that he could never truly be one with the Arabs, and yet in fighting their cause never again truly be an Englishman.  The film is also perplexing, but that’s in part to do with the difficult questions it asks and the difficult character it presents.
August 30, 2012

© Robert S. Miller 2012

Saturday, June 30, 2012

THE SUPREME COURT OF THE UNITED STATES: And the Affordable Care Act


It will likely be years before we can fully comprehend the significance of the United States Supreme Court decision that was released on June 28, 2012.  To figure out why the court decided as it did, we would have to try to get inside of a few of the brightest minds in our nation.  Most columnists are not up to the task.  Any court decision that does not fit into these writers limited viewpoint of the world is partisan and wrong.
Can I do any better?  I will try.  I’ll try to look at this case from its thousand perspectives.  I will make an effort to state my understanding of this complex matter in around 1500 words.  I will attempt to praise and criticize all sides and not offer the pretense that I fully comprehend every issue.  At the same time, I’m not going to parade around some fake humility and suggest that what I’m writing only comes from the perspective of common sense – rather than actual thought.  I will not wear my ignorance on my sleeve as if it were a badge of honor.
To begin with, the academic record of justices that serve upon the United States Supreme Court is outstanding.  It’s said that Antonin Scalia never received less than an A in any class that he was enrolled in during grade school, high school, college or in law school.  Elena Kagan, President Obama’s most recent appointment, attended school in Princeton, Worcester College, and Oxford, and she graduated magna cum laude from Harvard Law School.  Practically all other justices that have ever served on the court have similar academic credentials.
Some journalists choose to be unimpressed.  Maureen Dowd, for example, recently referred to Justice Samuel Alito as being “insufferable.”  Unwittingly, making such a personal attack likely says more about her inability to formulate her own arguments than about any personality flaws of the justice – which Ms. Dowd probably is in no position to speak about in any case.  Salon Magazine has lately had a field day in lampooning Justice Scalia by first accusing him of having temper tantrums when he doesn’t have his way, and then suggesting that Scalia went into a “bellowing, bullying and bombastic” discourse when recently addressing the court about immigration.  Likely, what Scalia said did not conform with Salon’s editorial opinions.
Many in the press of late seem to, either deliberately or not deliberately, misunderstand what the majority wrote in Citizens United vs. Federal Election Commission, decided March 24, 2009.  President Obama decided to chide the court about how corporations were about to take over all federal elections.  Obama, of course, was trying to make political points, and he had the court at a disadvantage as the justices were sitting in the front row during a State of the Union speech.  In my opinion, what the President suggested likely will never happen since shareholders in corporations have say in how their money is spent, and becoming too outwardly engaged in politics may hurt a company’s reputation.  Besides, with however many trillion dollars is at stake during a Presidential election, it’s impossible to control how or what money will be spent on a campaign in a meaningful or just way.
Anyway, whatever the President said about Citizens United, many in the press decided to deride the case (probably while never reading it) because it made a good sound bite to keep repeating that corporations are not citizens.  This is largely beside the point because the case is actually about free speech.  It’s about my right as an individual citizen to hear whatever speech is out there – be it from a corporation, labor union, special interest group or other individual citizen.  Anyway, justices agreed and disagreed on many different portions of this opinion (as all intelligent individuals have a right to do), and, at least to even the dissenting justices, Citizens United was not so much a partisan case as the press would like to have made it out to be.
This brings us to National Federation of Independent Business vs. Kathleen Sebelius, et al - the case in which the Affordable Care Act (or so-called ObamaCare) was then discussed in front of the Supreme Court bench.  This case had a surprise ending – at least to those individuals that were ready to continue with accusations of the court being made up of partisan members.  For many liberals that actually believe in God, they are now sending prayers of thanks on behalf of the George W. Bush appointee, Chief Justice John Roberts.
Justice Roberts wrote the majority decision for this case, and he held that the Affordable Care Act was constitutional.  President Obama was understandably relieved because the Affordable Care Act has been over and over referred to as his “signature accomplishment.”  However, there are even conservative columnists such as Charles Krauthammer and George Will that are being apologists for the opinion that Justice Roberts wrote.  Such columnists suggest that Roberts’ opinion is the first in almost eighty years that has placed any limitations upon the Commerce Clause in the United States Constitution that provides Congress with the right to regulate interstate commerce. 
The way the court has defined the Commerce Clause has often been criticized by conservatives for simply giving Congress the right to regulate almost anything under the guise of calling it commerce.  However, Justice Roberts opinion suggested that the individual mandate under the Affordable Care Act compelling individuals to actually purchase a product (in this case health insurance) overstepped Congressional authority, and that the Commerce Clause cannot be used to compel people to purchase anything. Anyway, Krauthammer and Will’s opinion notwithstanding, it’s difficult to see how conservatives could be too excited about a theoretical limitation on the Commerce Clause, when the court opinion now has expanded Congressional power under the taxing power provisions of the Constitution (the right to tax and regulate almost on anything as Congress feels fit).
On a side note, President Obama and many supporters of the Affordable Care Act never referred to the funding of this act as being a “tax.”  Politically, everyone now days are trying to avoid using that term because it’s not looked at favorably by many voters.  Mitch McConnell, the Senate Minority Leader for the Republican Party, has already mentioned how Republicans will now hammer Democrats over the head for this by suggesting that the Affordable Care Act would never have been passed at all if the term “tax” had been stated out loud as a funding mechanism, and that the act was therefore passed primarily through deception.  I think most liberals will only view such a criticism as minor.  Most do understand that President Obama’s chance at being reelected in 2012 would have been extremely hampered had the Affordable Care Act been struck down in its entirety by the court.
The court did place another limitation upon Congress that few individuals have noticed.  Under the Affordable Care Act, Congress gave the Secretary of Health and Human Service the right to penalize states that chose not to participate in the expanded Medicaid Program introduced under the act.  This, the court stated, exceeded Congressional authority under the Spending Clause of the Constitution as it did not give states any choice as to whether to accept or reject participation.
So what does it all mean?  Such a decision obviously means that the real future of the Affordable Care Act will likely be decided in the 2012 Presidential, Congressional and United States Senate elections.  If President Obama is reelected, it would be almost impossible to repeal the Affordable Care Act because he will use his veto power over any attempt to do so.  Neither Congress nor the Senate will contain the two-thirds support needed to override any veto.
This may be the only thing we can say with certainty concerning the act.  Even those that voted in support of the act are not aware of all of the provisions that it contains.  As Nancy Pelosi famously stated: “But we have to pass the bill so that you can find out what is in it.”
What’s my own opinion of the matter?  I believe that the passage of the bill was likely the result of an overreach of federal power.  The bill was passed through a revision process – which has never occurred before concerning any major piece of legislation.  It was passed without a single vote of support from the Republican Party – also something that has never occurred since the Republican Party became a major political party. 
Was passage of the act necessary?  Even if it survives in its current form, we won’t know for another twenty or thirty years.  By then, maybe someone will have an idea as to how much money the bill will actually cost, and whether it really will save all of the citizens of the United States – rich and poor alike – any money concerning their healthcare.
Did President Obama do the right thing in pushing passage?  I don’t know.  He’s a politician, he was elected by a liberal base, and he attempted to reform healthcare in a major way, something almost every President has attempted to do since Teddy Roosevelt with little success. I respect the man.  He took on a task that could well have made or broken his Presidency.  And passage still may make or break his legacy.
Finally, there is Justice Roberts.  My feeling is he really would have liked to see the Affordable Health Act struck down.  However, I believe that this was one of those instances where the court may actually have been playing politics.  Justice Roberts presides over the Roberts’ Court.  He might not want his legacy to have been that he decided a case in a manner that could possibly have taken down a President of the United States.  If he had done so, he may have been vilified in many, many history books.
Some people (especially those on the left) might applaud his attempt to save his legacy.  But such an attempt to save one’s legacy may have been at the cost of not doing what one actually believes. 
Maybe the only way we can get anything done anymore in politics is through deception.  Or maybe there are so many considerations that go into getting anything done – including policy implementation, selling it to the public, and concealing what one actually thinks – that it’s impossible to act according to what one actually believes.
There are probably no victors in politics.  We had best look elsewhere for answers rather than blindly devote ourselves to those that we call our leaders.

June 30, 2012


© Robert S. Miller 2012


Saturday, April 28, 2012

TITANIC (1997): Good or Bad Movie?

What one thinks about Titanic I suspect depends on the reasons why a viewer sees the movie.  Despite all his rhetoric about class differences, it may have actually been the intention of James Cameron to market the movie towards 15-year old girls.  For such an audience the movie delivered.  It also delivered for nostalgic movie buffs looking for the most important overblown epic romance (with great visuals) since Gone With the Wind.  But no one can seriously suggest that Cameron delivered a scathing statement about how we treat our poor.  The movie is cardboard entertainment - from start to finish.
Old Rose from Cedar Rapids, Iowa tells this story to her grandchildren.  We have the good people: Jack Dawson (Leonardo DiCaprio) and Rose (Kate Winslet).  And we have the bad people: Cal Hockley (Billy Zane playing Rose’s fiancĂ©), Ruth (Frances Fisher playing Rose’s mother) and Lovejoy (David Warner playing Hockley’s man-servant).  Ruth is priggish, Cal is a ruthless tyrant and Lovejoy is a sycophant.  Since there is no subtlety in this movie, Ruth and Cal are unsurprisingly very rich.  Rose is expected to sit with the boring first class passengers, but finds being with Jack to be much more fun.
Rose and Jack manage to get it on just about every imaginable place in the ship.  They also conduct a series of poses now and then that look really good on camera.  Jack even gets Rose to pose nude for a painting.  It seems like the only upper-class passenger on the boat pleased that Rose and Jack get together is the “Unsinkable” Molly Brown (Kathy Bates).  Anyway, the antics go on for so long to the disapproval of so many that we almost forget the ship is about to sink.
Well, we now know the ship did sink 100-years ago.  In the film Captain Edward James Smith (Bernard Hill) hurries the ship along against his better judgment while the ship is enveloped by a fog and scrapes the unsinkable boat against an ice berg.  The passengers all panic.  Rose is about to leave on a lifeboat but can’t leave Jack behind.  Jack, of course, is destined to die because he is poor while Hockley is to survive because he is rich.  Anyway, as if the sinking of the boat isn’t dramatic enough, Hockley becomes so upset that Rose fled the lifeboat to reunite with Jack that Hockley decides to start shooting at them amid all of the other chaos.
Jack and Rose eventually escape the ship and do swim to a piece of wood on the water.  However, Jack must immerse himself in the icy water to make room for Rose.  Jack freezes to death and Rose is eventually rescued by a lifeboat.  Meanwhile, Hockley gets to be a passenger on a lifeboat only by deceptive means.  (It does him no good because Rose wants nothing to do with him.  We learn that Hockley later shoots himself in the head after the stock market crash in 1929.  One impression one comes away from watching Titanic is that all 1500 people that died because of the shipwreck were good hearted poor people.)
We then fast forward some 80-years.  Eventually, the nude portrait of Rose is discovered by some treasure hunters while searching through the Titanic’s wreckage and the painting is presented to the old Rose.   Rose likely dies in bed while gazing at it.
Titanic is 194 minutes (or over three hours long) and it could easily be chopped in half.  Cameron could maybe then have saved a bit of the $200 million that was spent on the film (though he certainly has made that back in box office receipts).  The film has absolutely no character development.  The rich people are snobs and the poor people are all charming.  And I could think of almost no film that was any less predictable than this one – though I might have expected Hockley to at one time or another to exhibit human traits in the film.
As if the film didn’t already make enough money, Cameron decided to release a 3D version of it to commemorate the 100th anniversary of the Titanic’s sinking.  For a whole new generation of movie watchers this will be great entertainment.  However, I feel sorry for anyone that feels the need to watch the film once again.  At most, viewing this movie should be a one-time experience.  And even seeing it one time will likely traumatize certain viewers not used to such cloying sentiment. 
But it did win an Oscar for Best Picture …..
April 28, 2012
Robert S. Miller © 2012